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A jilted ex-boyfriend went on a scorned nerd rampage on live TV while his ex-girlfriend sat next to him.
As a YouTube commenter astutely noted:
That is the nerdiest smackdown ever. If this wasn’t C-span I could swear it was Comic Con. Probably the most eloquent way of saying “That bitch is a ho”. Although, I wouldn’t mind tapping her Yale degree because she is probably a superfreak closeted S&M mistress and that’s my kind of political maneuvering.
I’m telling ya, YouTube commenters are the new American comedy art form. More:
typical fat guy’s laugh in the background.
Funny, fat guys DO have a distinctive laugh!
What was your reaction when you watched the video? If you’re like me and most people, you felt a mix of contempt, cringing revulsion and pity. You probably thought “wow, what a loser.” You vowed never to let a chick get under your skin that badly. A fleeting moment of sympathy made you wish this spazzy nerd would learn some game and start dating girls who didn’t look like Philip Seymour Hoffman.
There’s no doubt this dude is a lesser beta, perhaps even a greater omega. And this judgment is not solely a reflection of his unfortunate looks; his attitude, mannerisms, and, of course, total lack of amused mastery peg him as the needy, desperate, no-game-having betaboy he is deep in his soul. He has failed spectacularly the live TV version of the Jumbotron test (the worst way to fail). If he fumbles with nerdo Randian women, it is because of these latter characteristics, and not because of his looks.
His exceptional intelligence cannot compensate for all his negative traits. If anything, his smarts may be working against him. It’s easy to imagine his big brain spending week after week excessively analyzing his breakup and thinking up ways to rectify his pain. In a moment of pique — her body which he once penetrated (assuming he did) now mere inches from him on a televised panel — his unruly emotions took control of his mind and steered all that IQ in an embarrassingly unproductive direction.
This is what happens when you don’t have a clue how women operate. He exhibited the opposite of amused mastery — distressed incompetence. Vaginas all over the land snapped shut on cue.
Now I want you to read the following story. See if you have the same reaction to the bitter spurned ex-lover in this news story that you did for the woeful man in the video above.
Now that her label is finally starting to play the album for select critics, it’s easy to fathom why its contents have been closely guarded, all fears of leakage aside. Some of the lyrics are startlingly candid, even by the standards of Taylor “Naming Names, Taking No Prisoners” Swift.
And listening to “Dear John,” the scorching song that is-from all appearances-aimed at Mayer, all we can say is: Joe Jonas, you got off easy. […]
And it might seem sensationalistic to focus on “Dear John” at the expense of the rest of the album if it didn’t feel like it might be her masterpiece to date, or at least the most bracingly, joltingly honest song you’ve heard any major performer have the nerve to put on record in years. Maybe not since John Lennon took on estranged partner Paul McCartney in “How Do You Sleep” has a major pop singer-songwriter so publicly and unguardedly taken on another in song. But while Lennon’s song came off as mean-spirited, Swift was motivated by vulnerability and woundedness, which makes her song far braver… and more cutting. […]
There may be those who’ll accuse Swift of exploiting her own romantic travails in this and other songs. But the extended bridge section of “Dear John” (and, at six and a half minutes, the entire song is fairly extended) packs such a cathartic punch, it really does transcend any tabloid associations. When Swift sings “I’m shining like fireworks over your sad, empty town,” anyone who ever felt manipulated or used and found the strength to move on may be cheering like it’s the 4th of July.
Taylor Swift is doing no different than Todd Seavey did to his ex-girlfriend on that C-Span panel: she is lashing out bitterly at an ex-lover who she feels wronged her. Substantively, her actions are the female version of Todd Seavey; the only distinction is the style in which each exposes their hurt and feeble stabs at revenge. (I say feeble, because I doubt very much John Mayer is going to lose sleep at being called out as a callous womanizer. The horde of groupies queueing up to sample his callous cock after hearing how he treated Taylor Swift is surely growing by the mile.) In fact, it could be said that Seavey is more admirable than Swift, for he at least lashed out at his ex while she was there to defend herself.
Here is an excerpt of Swift’s revenge lyrics:
Dear John/I see it all now that you’re gone/Don’t you think I was too young/To be messed with/The girl in the dress/Cried the whole way home/I should’ve known. […] It was wrong/Don’t you think nineteen’s too young/To be played/By your dark, twisted games/When I loved you so. […] You’ll add my name to your long list of traitors who don’t understand/And I’ll look back in regret I ignored what they said/’Run as fast as you can’
Notice how all the blame is shifted to Mayer. Swift removes any responsibility and accountability for her decision to fuck the alpha male. She is a mere womanchild, a vassal into which evil men have their way with her. (If true, can we revoke the right to vote from these womenchildren?) Todd Seavey’s bitterness flows from the same place — an inability to recognize that he bears responsibility for the impression he leaves with women.
Todd Seavey and Taylor Swift’s behavior toward exes IS ONE AND THE SAME. Their bitterness is a shared bond that crosses class, looks and celebrity.
And yet, what did you feel reading about Taylor Swift’s lash-out at John Mayer? The same contempt, revulsion and cold pity you felt for Todd Seavey? Likely not, if you’re honest with yourself. Certainly the women reading these two stories did not feel the same toward each
antagonist protagonist. I bet the same women (and some manginas) who subconsciously lambasted Seavey for his bitterness were quick to offer sympathy and understanding to Taylor Swift. Just look at the way the story is told by the reporter, Chris Willman (presumably a man): “vulnerability and woundedness”, “startlingly candid”, “such a cathartic punch”. This is the reaction of someone who wants to offer Taylor Swift a shoulder to cry on. Todd Seavey will see no such shoulders offered; he will instead be cast to the icy wastelands where the tribe will mercilessly mock him from afar.
Your conflicting emotional responses to Seavey and Swift are no fluke. They are evolutionarily imprinted in your brain. All flows from the basic premise that eggs are expensive and sperm is cheap. From this premise, we subconsciously affirm that men are expendable, and women irreplaceable. One man can impregnate an entire tribe and keep the population growing. One woman is a population bottleneck that will mean the extinction of the tribe. And further on from that premise, we find ourselves offering comfort and uuuuunderstaaaaanding to Taylor Swift, while we offer nothing but sharp barbs and ridicule to the expendable Todd Seavey.
This is our reality, our world, our universe. Some human beings are worth more than others, and despite our grandiloquent litanies to the contrary, our actions tell us all we need to know, if we are willing to look with open eyes. Remember that the next time a palace guard of the old order tries to tell you what’s in your best interest.