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Replying to a Steve Sailer review of the movie Her as a mischievous chain-yank of the exquisite sensibilities of white people who majored in humanities, commenter stari_momak pithily spits,

You notice how [as] America has gotten darker, white people have gotten fairer (or paler)?

One consequence of the CH axiom Diversity + Proximity = War is, ironically, a racial self-segregation that belies the media message drumbeat propagandizing the opposite. Her is very much a SWPL (Stuff White People Like) utopia: clean urban spaces, softening pastels, car-less mass transit, bicycle lanes, love affairs with an advanced Siri AI who sounds like the whitest white girl who ever whited, a noticeable lack of bling or vibrancy.

It’s almost as if the crushing weight of diversity (especially in LA) has freed upper middle class whites to wall themselves off in cultural compounds of their own making. Sure, they have to guss up their motives with doublespeak, but their actions — their revealed preference in economese — is strictly for a society of the whites, by the whites, for the whites.

It’s no longer affordable for liberal whites to walk their talk. The days of mingling with a token or two, or adopting some affect of the underclass, and patting oneself on the back are rapidly coming to a close. Diversity has expanded its reach to dangerous levels, threatening a core reactor meltdown. Its ominous, suffocating presence reminds leftoids on a daily basis the reality of a world that is being reshaped into what they have claimed is progress. In their personal lives, where chucks hit the ground, they recoil at this progress, and retreat to insulated social bubbles that align more closely with predilections formed by their genetic heritage.

Like the vast expanse of outer space, as America on the whole becomes less white, the pinpoints of whiteness glow more brightly.


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