This song could be the rapefugee anthem. Listen to young women, really listen, and you’ll come to realize the ancients were wise to cut women off from political influence.
A quick Crimson Pilled analysis of the lyrics.
Ohhh Ohh Ohhh Ohhh Ohhhh Ohhhh
She’s orgasming just anticipating the noncommittal attention of a bad boy.
Ask me to stay and I’m not gonna leave
Don’t make me wait with my heart on my sleeve
Cause I won’t go ‘less you want me to
I’d surrender it all for you
She would sacrifice her first-born for the love of a bad boy.
Friends turn to foes I don’t know who to trust
You say I worry, I worry too much
But I can’t help what I’m feeling now
I just want us to be somehow
Is her bad boy cheating? Careless whispers! Suspicion of his unfaithfulness only intensifies her love for him.
I said there’s somethin ’bout the bad boys
That makes the good girls
Fall in Love
They are bad, ergo they are lovable.
Clear as a crystal or sharp as a knife
Words will be words ’til you bring them to life
Show the whole world that you’re mine alone
Tell them girls to go find their own
Female preselection boosts male sexual market value. She loves that other girls are after her bad boy, but her erotic power is so complete he ignores the others to be with her. Or so she tells herself.
(and if you’re no good for me)
Don’t leave me stranded
She can only take so much foot-dragging (measured in prime years wasted).
(and if you’re no good for me)
Don’t lead me on
Shit or get off the pot.
(and if you’re no good for me)
I’d rather feel abandoned
Better to have loved and lost a bad boy, than to never have known a bad boy’s love at all.
(and if you’re no good for me)
Please be gone
She has to beg her intransigent bad boy to dump her, because she doesn’t have the inner strength to do it herself. This is a good time to remind yourself that hot girls have no trouble dumping non-bad boys on the flimsiest of pretexts.
PS Zara Larsson, the singer, is Hey Nineteen in this video.
Take a look at her Instagram:
https://www.instagram.com/zaralarsson/
See this picture, for instance:
Hmmm
A post shared by Zara Larsson (@zaralarsson) on
Just another Swedish liberast, and her poor political judgment notwithstanding, she has no musical talent.
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[…] There’s Something About The Jerkboys […]
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Sad to watch a nubile Swede dance like a fucking negress.
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Only a tenth as sad as her sounding like one.
I half-thought this was a “dance cover”. From Abba to vocoderizing a White girl into a Rihannabot– what a falling-off was there . . . .
The 2:14 running time is an odd mercy though. What is this, the “premix”?
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her nigerian producer, Uzoechi Osisioma Emenike:
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Culture corrupters.
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Heheheheheh
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She’s singing in English, Matthew. Her culture was corrupted a long time ago and not by this man.
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This ape is merely a tool of his Eskimo controllers.
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Swedish girl + Nigerian ‘producer’ is NOT a combo that should ever , EVER happen, in no circumstances, nowhere, no way no how.
Fuck you, bramänniskor.
Fuck you, welcome culture.
Fuck you, political correctness.
Fuck you, baby boomers and the joints you smoked in on.
Rot in hell for all eternity.
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@ wolfie65:
At this point, all I can think is: when do I fire up the easy-bake?
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They really were hard up on the budget for this video me thinks.
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Nice Steely Dan reference. Great song.
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Yup. “The cuervo gold…”
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Yup!
“The Cuervo gold….the fine Colombian”
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Most beta males/alt-right tradcons would say that she’s just a low self-esteem “bar slut”, and that girls really want nice guys. However, even the nicest girls still want a bit of ZFG/aloofness.
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This is a perfect example of why I don’t usually listen to post-70s music, particularly when women are involved. The 80s and beyond really cranked up the white-women-acting-like-negresses sound. Not that the 70s and before didn’t have an element of that trend but at least back then there was still some melody to enjoy.
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Most songs that are sung by females nowadays are complete and utter shite.
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The last female-fronted band I’ve enjoyed is The Sundays back in ’92:
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Great band.
Here’s another — singer doesn’t like a negro to me:
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Hesoid, I think that white-women-singing-like-black-women thing started in the 90s. There was some gender-bending back in the awesome 80s and maybe some “tough girl” singers like Joan Jett, but I still think they all sang like white women.
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Punchline: The song was actually written by a guy named Marcus Sepehrmanesh.
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What a wretched song. Everything about it is terrible, lyrics, vocals, vulgar skank dancing. A contemporary female-fronted band that is great is Alvvays. The singer is feminine and actually sings.
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thank you. that was good eye and earwash for the nîgger-worship shite above
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My favorite chicks-dig-jerks song is The Way I Loved You by T-Swift. Brilliantly revealing of the extent of female depravity. I first heard it back in 2012, at the height of my beta-tude, and it made me so angry. Why does she not like this perfect guy?!?! Women make no sense!!! Then the Chateau rescued me
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I wonder about the biological programming underlying this. It seems to condemn the woman to a biological dead end, or at least rearing children ‘fathered’ by a long-vanished cad.
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Alpha fucks and Beta bucks make the world go ’round!
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CH: “She would sacrifice her first-born for the love of a bad boy.” IS: “It seems to condemn the woman to a biological dead end” ——— “Male lions use infanticide to get rid of offspring in a newly acquired pride that are not genetically related to the male coalition. Solitary males are also capable of killing the offspring of an encountered pride.”
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“A new leader in the city monkey troupe is keen to mark his territory and rid all traces of the defeated leader from the troupe – including all the babies the defeated leader fathered.”
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I can actually see this in many MILFs now [and, in retrospect, I think it was always there, but I just didn’t want to admit it] – when I enter the scene, I can sense how the MILFs become ashamed of their children who were sired by Beta seed, and they literally throw themselves at me in the desire to have children sired by Alpha seed. The Darker Truths of EvoPsych and Biological Calvinism are simply horrifying.
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It’s a good thing she’s nice to look at because the autotuning in this song is making my ears hurt.
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The same theme 30 years ago:
Bad, bad, bad, bad boy
You make me feel so good
You naughty bad, bad, bad, bad, boy
You make me feel so good, knew you would
The way you hold me tight
You get me so excited
You do me, oh, so right
My heart goes beat beat, beat beat, beat beat
Bad, bad, bad, bad boy
You make me feel so good
I want you, bad, bad, bad, bad, boy
You make me feel so good, knew you would
And when he drives me home
I feel safe at night
You call me on the phone
It goes ring, ring, ring, ring-a-ring, ring
Boys will be boys, bad boy, bad boy
Boys will be boys, bad boy, bad boy
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Actually Hey Sixteen in the video, born ’97
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Contrasting the absolutely vile shit at the top of this post, today one of the musical greats of all time died — Merle Haggard. Merle was one of the last living links to the older America, the one worth living in.
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Yes, it’s sad. I think the only one of the classic country greats left now is Willie Nelson. The rest are all gone.
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What!? You don’t like Honky Tonk Badonkadonk?
Trace Adkins seems like a pretty cool guy though.
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[…] Source: Heartiste […]
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I swear…every pop song that comes out today is just a copy of something else. Don’t people who listen to this crap realize what’s going on yet? Do they not see they’re being cheated out of good music, that they’re being conditioned to accept utter crap devoid of any artistic merit as “credible music”?
I need to cleanse my brain of what I just saw. So here’s a gem from the 80s with a female singer…and this one actually plays an instrument(!)
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Crap, that’s not the video I wanted. Let’s try again…
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They don’t play the Sax in hip hop or pop.
Boy howdy. do I miss that sax sound.
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Aimee Mann is a sweetie. I particularly like her contribution to Rush’s “Time Stand Still”.
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Lol@being named after a cheap clothing store. Instead of whining like little girls about how much you disapprove of her or her music(which doesn’t mean jackshit to anyone), you could practice how you’d tease her based on her name. You know, for when you leave the basement.
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A better song:
From a better time.
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Patsy Cline and Loretta Lynn are the best female country singers. Many red pill truths embedded from an older time, but they embraced their feminine side like few do today. Great voices too
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Here is a great contemporary Icelandic band that has a beautiful sound: https://youtu.be/mCHUw7ACS8o
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Bad boys are exciting, unpredicatable and therefore fun. “You can do anything you want to a woman except bore her.” – Antonio Banderas’s character in ‘The Counselor’.
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Here’s a question for the commentariat and proprietor.
Is there such a thing as Rebound Game for girls recovering from bad boys? Can you play not-as-bad-boy and win girls you want by simply doing all the things the bad boy does, but retaining your soul and some empathy? Can a man be a ZFG asshole and a kind benefactor at the same time?
[I’ve got my own answer, but I’m curious what folks here think.]
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“Can a man be a ZFG asshole and a kind benefactor at the same time?”
yes, my lord (her answer)
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> “Can you play not-as-bad-boy and win girls…” ——— See two essays previous. Try “Virgin Game”, “Altar Boy Game”, “I’m the naive innocent little boy from the idyllic countryside and you’re the evil big city seductress who is going to destroy me” Game.
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I don’t think any of these is sustainable. Eventually every man’s purported innocence is revealed for the fiction it is, especially if you achieve success and then try to keep playing dumb.
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Not really in my opinion. If you date a really bad bitch who has dated other bad boys before, she will only respond to darkness as it is normal and comfortable and familiar to her. I have one of these chicks as a plate and I am a “kind benefactor” at heart, albeit with some great dark triad qualities and very dominant. Sometimes being too nice to her leads to shit tests and i have to drop a couple “Shut the fuck ups” and other fucked up shit. Every sing time i do, its like catnip to her. She starts kissing me and cooing and shit. Kind of disgusting really. Such is the price they pay for allowing darkness into their hearts. Like that song on the radio says, “She dont want to be saved”
so with some girls, you gotta learn to buck up and never allow yourself to act like a beta white knight bitch.
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I’m beginning to comprehend that YES ALL WOMEN are like this, the only difference between them being the scope of psychological damage.
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Just watched Unfaithful, the 2002 film about a cheating wife…but I watched it through the Red Pill lens… Themes include: Alpha fux/Beta bux, bored wife who is ready to dump it all to bang some foreign drifter…who gets jealous of the fact that despite her cheating…she can’t stand his cheating… hypergamy in action.
The Richard Gere character Edward Sumner is the epic Beta/Gamma…..pitiful, small, threatening lawsuits and firing his underlings for their lack of “loyalty”…
Two great scenes: Bad boy bathroom bang and the whole movie itself but the confrontation scene:
This is the entire film, worth a watch but check out this clip at 1:29:00 when the Richard Gere character Edward first sneaks into the building where his wife’s lover Paul Martel lives, confronts him, breaks down and cries, then murders him.
Check out how cool the lover Paul Martel is…calm, lets the beta in, offers him a drink, makes small talk, doesn’t seem rattled at all….Check out how Edward whimpers, accuses Paul then in a fit of misplaced rage…attacks him instead of throwing his cheating wife out.
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“…Misplaced rage…”
Nah. He should have killed them both.
Odysseus had it right.
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He should have kicked her out, taken the kid. At one point after police discover Martel’s body in a dump and start asking questions, Edward tells Connie he’s going to turn himself in. She begs him not to—because she’s afraid of losing everything beta provider offers: comfy home in suburbs, respectability of cute but clueless son…maid, good schools etc. Beta provider…yet in the scene before the beta confrontation, Martel bangs Connie in the stairwell after she goes nuts when she sees him with an other woman.
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“He should have kicked her out, taken the kid.”
Hahaha. Riiiight…
Spoken like someone completely unfamiliar with the family court system.
Again, the ancients had it right.
Lots of today’s “betas” have been forced into that role/posture by the prevailing laws.
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Another great AF/BB…movie is Carnal Knowledge from 1971.
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I like the rationalization, about how she’s a ‘good girl’. The hamster makes sure she has no agency…
Another classic song comes to mind:
Desperada
Why don’t you come to your senses?
You been out ridin’ cockas
For so long now…
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“The advances of the enlightenment are being systematically and deliberately pushed back”
Thank you, Jesus!
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“Better to have loved and lost a bad boy, than to never have known a bad boy’s love at all.”
I heard a girl say the following to a friend who was being dumped by her bad boy lover (and note the specific words used):
“It’s better to have loved and to have been abandoned than to not have loved at all”.
Not lost [him], not to have left [him], but to have been _abandoned_. And the girl who said it is a very normal and average girl. Speaks volumes about the nature of women.
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Why should it matter to us if they don’t approve
We should just take our chances while we’ve got nothing to lose.
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The song is a bit uncertain. They’re positive about a bad boy, but at the same time they’d rather they go if they’re not good for them. This seems ambiguous. A plausible issue is that the latter part is meaningful and the former vague and meaning whatever, or in brief that they’re singing about people who are friendzoned. In addition, there is a possible taming fantasy where a person being a ‘bad boy’ is a problem to the female and society and so they are allowed into a relationship in order to discipline them, which raises the question of who died and made them counsellor. So to speak. When it comes to cheating, they seem to have the issue that when they’re assured that they worry too much about it, they just shrug this off and think it’s fine, which implies that their partner wouldn’t have that much influence and is just asked to compromise constantly in a vague manner in the hope that it will be enough for her. Still, though, the song does raise multiple deep questions, such as whether they should stay or whether they go. It is deep songs like this that keep the author of Chateau Heartiste from being a reasonably obscure pop musician at least. Perhaps there is a niche for them in Christendom.
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[…] Ladies love dark triad bad boys – the musical. […]
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[…] reading about a year ago–not regularly, but sometimes–called Chateau Heartiste. And this is the kind of entry I’ve enjoyed most. If you’re looking for an explanation of male and female behavior […]
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