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In-her-face negs are really only suited for very hot girls (8s and above) who think too much of themselves, work in a sex field (stripper, pharmaceutical sales rep), are ovulating, or are in a social context such as a club where they are primed for flirty banter. The rest of the time, your negs should be crafted in such a manner that they deliver their payload with sneaky plausible deniability, like a homing missile launched from a hidden bunker aimed at the soft chewy center of her ego. The best negs are those which are conceivably meant as compliments, but which linger in her psyche for hours afterward, undermining her self-conception and encouraging her to qualify herself to you.

I’ll give you an example of what I mean. I was at a party talking with a girl, a cute 7.5, and I mentioned offhandedly (or so it seemed to her, for little I do or say isn’t calculated to maximize my personal advantage) that she seemed really modest. (My assessment wasn’t wholly without merit, judging by her clothes and shy demeanor. Another defining feature of the best negs are that they have the ring of truth to them.)

Naturally, and predictably, she, being a member in good standing of the SWPL industrial complex where modesty is considered a character flaw, balked at this. “Modest? You think that? What do you mean by that?”

I ignored the first importuning, but by the second I had to address her metastasizing concern.

“Modesty is a lost art. It’s not a bad thing… usually. Not everyone feels a need to be an exhibitionist.”

You’ll note three things in my response. One, I didn’t back off from my initial assertion. Nothing kills tingles faster than defensiveness or apologia. Two, I continued the ruse under the assumption that my insidious neg was actually a compliment. Three, I added the qualifier “usually” as a means of keeping her hamster in full throttle spin mode.

I see a lot of guys throwing out community-approved negs on 6s, 7s and sometimes 8s like they are jokey zingers, and the result is often bad, as the girl turns on him or slinks away to find better company. No wonder; their technique carries the whiff of insult, which under normal circumstances with normal cute girls will backfire. (Very hot girls who crave assholes tend to better channel direct insults straight to their vagina region.)

The neg is, as Mystery used to implore, almost a hidden code within the larger conversational framework. It’s supposed to be perceived as a throwaway line of sincere and innocent intent that serves two purposes: one, it disqualifies you to sexy babes who start on the assumption that you’re just another joe schmoe who wants in their pants, and two, it infiltrates a girl’s subconscious so that she spends more mental energy analyzing her worth than she does analyzing yours.

Negs often can be as simple as one-word descriptions that are as easily interpreted as unflattering observations as they are as compliments; and therein lies their effectiveness. No need to memorize one-liners. All you have to have at your disposal is a handy list of vital and penetrating adjectives that cause a click and a whirring in the female limbic system. To wit:

responsible one.
good person.
don’t care about other people’s opinions.
excited to be here.
out of her element.
social butterfly.
above it all.
queen bee.
march to her own drummer.
social/fashion/party maven.
netflix kind of girl.
put up a facade for the crowd.
keep to herself.
energized by the scene.
natural performer.
happiest person here.
good friend qualities.
easy to approach.

You’ll also note that a lot of these unnervingly ambiguous observations focus on a girl’s presumed inability to cut loose and have some fun. They are designed, in other words, to eradicate anti-slut defenses and persuade her to open up… to you, the fearless judger of her feminine worth. Some others focus on her social naivete, or her craving for attention. Sprinkle to taste. Some of these negs fall under the category of cold reads; the difference being that cold reads are usually unambiguous compliments worded to entrap a girl deeper into conversation by getting her to talk about herself.

Seduction is the art of contrived concealment. You want to seduce without revealing the machinery of your mind, or the purpose of your words. You introduce the dangerous idea, and if you are successful, she picks up the idea and joins you in her own seduction.

At the end of the night she proved to me her bona fide immodesty with a streetlamp illuminated makeout.


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