The Right needs more Sabos, fewer cucks. I like this guy and what he’s doing ON THE GROUND to advance the anti-globohomo, anti-leftoid, anti-cuck, pro-Trumperica resistance.
The guerrilla art movement is usually associated with leftwing politics. Banksy targets capitalism, consumerism and inequality. Blek le Rat, the father of stencil graffiti, depicts oppression and resistance.
Shepard Fairey gilded Barack Obama’s rise with the iconic “Hope” poster and now highlights the scapegoating of Muslims and the corporatisation of US politics.
In the Trump era, the right, however, has its own guerrilla artist: Sabo, a former US marine who works from an apartment-cum-studio in Los Angeles beneath a sign that says “Fuck Tibet”. Another says “Fuck peace”.
There’s no clause in the cosmic laws that says the Left has to own the domain of street art or street activism. The Maul-Right is showing that clever artlords can turn the streets into their agitprop playgrounds with arguably more impact than do the icons of the shitlib self-pleasuring consortium, given that the material the maul-right works with is by its nature incredibly subversive and id-throttling.
“Republicans are the new punk,” said Sabo, echoing a slogan on his T-shirt also adorned with an image of Trump in a three-piece suit, looking rather rakish, giving the finger. “I’m pretty much the only right-winger doing guerrilla art. I’m like patient zero, the first one doing this on our side.”
Ahem, I hate to preen out of turn, but a case can be made this very Chateau was uglytruth guerrilla art before it could be even imagined by the kweer kultur kommissars.
Several other rightwing street artists are in fact active in LA but prefer anonymity, thinking that gives their work more power. Some on the right consider Sabo a showboater.
He is not shy about self-promotion, calling himself a one-man rebuttal to Madonna, Katy Perry, Lady Gaga and other anti-Trump performers. “I cater to the street urchins, the young people. I want them to understand that there’s another message out there.”
I don’t have a problem with Sabo’s showboating as long as he’s effective, passionate, and willing to stick the shiv in leftoid guts when the sticking’s good. But anonymity does generally imbue an artist with an ineffable coolness factor.
Sabo now says he is “cautiously optimistic” about the president. “The day I came to love Donald Trump was when I saw how hard he was kicking liberals in the teeth.”
Amen, Sabo. How can you not admire a man who doesn’t cry at the sight of his own balls or apologize for their impudent heft?
The left, he said, has mastered cultural and political “dark arts” and “weaponised” Hollywood, the FBI, the IRS, universities and other institutions to promote a nefarious agenda.
Indeed, for going on sixty plus decades. But hope glimmers from a retreat nestled deep in the Alsatian wood. Chateau Heartiste is a place where lords and guests come to retrieve those dark arts and reclaim them for the side of Truth and Beauty.
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Here’s a take on Sabo over at the Chicago Boyz.
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